November 2016: The One Skill You Really Need To Be A Screenwriter
professional “actual” career, then there’s one thing you just have to get really good at.
when you ask yourself, why the #$@&% am I still doing this? Maybe somebody gives you great coverage on
your screenplay, and you’re sure you’ve finally nailed it, but then another reader doesn’t like it at all. Or
maybe things are all coming together on a project, and then – whoosh – it all falls apart.
it’s an essential survival skill for professional scribes.
assignment (defined as one that actually pays and might actually lead to a movie on screen). My agent had gotten me a phone call with a “high-profile” producer to pitch an adaptation of a popular book. I’m guessing it’s easer to schedule ten minutes on the phone with the President of the United States than with a “high profile” producer, but we eventually spoke.
a few months later this producer walked into a studio with me, and we pitched the project. The pitch seemed to go over pretty well with the studio exec, so I felt optimistic but incredibly anxious.
definitely stressing out, she told me: “Don’t worry, you’re getting the job.”
New York, I got an email from the producer’s assistant. It went something like this: “I had a great
conversation with the studio exec! He
plans to give you a call tomorrow to hire you!”
that night. It was one of those ecstatic
moments you hope for when you get into this business.
another day – and then a week – nada. I
finally reached out to the producer and was told it wasn’t going forward – no real explanation given. I’ll never know why.
“yes”, but the actual answer was still ultimately NO.
this is how this industry works. And if
you love it enough, you won’t let that truth keep you from plugging away.
by the way – I eventually got my first real assignment and proceeded to the next level of ups and downs.
