style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> In some ways that’s true. Film executives are risk averse and love the comfort of banking on a scribe who already has a hit at the box office.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> On several low-budget assignments for Lionsgate, I was asked to turn around an entire feature film script in less than a month. I’m not talking about the first draft. I’m talking about done – “heading into production” done. That’s barely time to come up with one viable storyline and execute as quickly as possible.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> Ideally, you take a month or more just to brainstorm ideas, and then you carefully construct a treatment, and then you get feedback on that treatment and revise, and then you take your time crafting a first draft, and then you get feedback on that draft, and you revise, and you rinse and repeat and repeat, until you have a finely polished feedback-vetted gem.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> This process takes months and months, so when you see a movie written on assignment and think “that could have been better” spend a moment wondering if the credited writer was given even close to enough time.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> A few years back, I was working with a very successful and influential producer and was asked to rewrite the outline for half a feature film in one night and then walk into a studio the next day to pitch it. It was nuts, but I wasn’t about to say no to that request. There’s no saying no.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> It takes a ton of time. But if you’re willing to put in the effort, you can put together a compelling script, and that achievement will be your key to the industry.
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> Writing natural-sounding dialogue – the kind that makes characters feel real – comes easily for a chosen few. The rest of us have to work hard at it. style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> Like anything else, it’s a skill that can be…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> What do I mean by recycling in screenplays? style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> I’ve seen a lot of writers do it. It’s basically any time you use material from one or more of your old scripts and try to repurpose that material…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> You’ve been working for months on your latest script, and it’s almost ready to market. Frankly, you’re just about out of steam. Of course you are. Screenwriting is hard work – at least if you’re trying to do it well. But it’s not all so damn laborious. Here are…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> All screenwriters deal with it: the dreaded negative review. Does it mean you have no talent? Does it mean you should give up? Absolutely, positively not! Here’s why: style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> Every Script Gets Negative Feedback > > I remember…
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> It’s Halloween season, time to turn to spooky stuff. Going eerie won’t be hard for me at all because the screenplay biz can be downright bloodcurdling. Here’s my top five countdown of screenwriting frights: style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> 5. Screenwriters are constantly vanishing…
This month I’d like to talk about fear in our screenplays. I’m not talking about the horror genre. I’m talking about the writing process itself. I’m talking about writing in a state of panic – fueled by the fear of failure. This is a phenomenon I’ve seen fairly often. It goes like this: A…