style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> In some ways that’s true. Film executives are risk averse and love the comfort of banking on a scribe who already has a hit at the box office.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> On several low-budget assignments for Lionsgate, I was asked to turn around an entire feature film script in less than a month. I’m not talking about the first draft. I’m talking about done – “heading into production” done. That’s barely time to come up with one viable storyline and execute as quickly as possible.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> Ideally, you take a month or more just to brainstorm ideas, and then you carefully construct a treatment, and then you get feedback on that treatment and revise, and then you take your time crafting a first draft, and then you get feedback on that draft, and you revise, and you rinse and repeat and repeat, until you have a finely polished feedback-vetted gem.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> This process takes months and months, so when you see a movie written on assignment and think “that could have been better” spend a moment wondering if the credited writer was given even close to enough time.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> A few years back, I was working with a very successful and influential producer and was asked to rewrite the outline for half a feature film in one night and then walk into a studio the next day to pitch it. It was nuts, but I wasn’t about to say no to that request. There’s no saying no.
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> It takes a ton of time. But if you’re willing to put in the effort, you can put together a compelling script, and that achievement will be your key to the industry.
When I read scripts, there’s a phenomenon that happens fairly often. It goes like this: The writer manages to impress me with some fresh comedy in the early pages, and I’m looking forward to more of the same. But then the writer does something that threatens to ruin the whole script. Don’t worry if you’ve done…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> All screenwriters deal with it: the dreaded negative review. Does it mean you have no talent? Does it mean you should give up? Absolutely, positively not! Here’s why: style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> Every Script Gets Negative Feedback > > I remember…
This month I’d like to talk about fear in our screenplays. I’m not talking about the horror genre. I’m talking about the writing process itself. I’m talking about writing in a state of panic – fueled by the fear of failure. This is a phenomenon I’ve seen fairly often. It goes like this: A…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> It’s a new year! Hope time! style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> But this is the screenwriting biz, so it might be the case that things have happened in the past year to temporarily dash your hopes. style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”>…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> We’ve already spent a few weeks in the New Year, and most of us have given up on our diets by now. So here are five alternative resolutions, all of which should be easier than consuming less food. style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace:…
Feeling out of creative steam? It happens to every writer at every level. There’s so much resistance, so much rewriting, so much everything – it’s easy for any writer to lose momentum. But momentum is everything. All you really need, to eventually succeed, is to move forward. All you really need is momentum. If you find…