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It’s a new year!
Hope time!
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But this is the screenwriting biz, so it might be
the case that things have happened in the past year to temporarily dash your
hopes.
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Don’t be dashed.
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Here are ten reasons to persist:
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Most other jobs suck. That’s why screenwriting is so competitive. I remember back when I was a lawyer, one of
my depressed colleagues sighed and said to me, well nobody pays you to go to an
amusement park. It turns out that’s not
true. If you love to write,
screenwriting is a Disney World kind of life.
And sometimes some people do pay some people to do it.
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Dashers are dicks. You know the type — the ones who love to
criticize, to tell new writers how stupid their ideas are, preferably via
anonymous Internet posts. Most dashers
are bitter and unsuccessful, not worth your energy.
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Life is short.
You’re not going to lie on your death bed wishing you spent less time
screenwriting and more time doing mundane crap.
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Every new draft is a time to correct your
mistakes. Not all script notes come from
dashers. Some make sense. It’s okay for a draft to be less than perfect.
That’s why they call them drafts. Every next draft is another chance to be
great.
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It’s your life.
Nobody else can tell you how to spend your time. Even if it’s a long road to success, if
screenwriting is something you love, anyone who loves you will understand.
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There are more and more opportunities. Some people say the business is getting
harder. That’s not true. It’s always been hard to break in. But nowadays, with endless cable channels and
limitless streaming, there are more and more places to realize the dream of
getting your work on screen.
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If screenwriting is what makes you happy, you
need to keep doing it. If you’re not
happy, you’ll never be a positive influence on the world.
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Lots of other people secretly envy you. If you’ve managed to complete a script, to do
something truly creative, that’s an amazing accomplishment in and of
itself. It may not always feel like it,
but you’re already a rock star.
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It’s all about flow. If you’re like me, then when you write, you
get lost in what you’re doing. Time
passes, and you don’t even know it.
That’s called flow, and it’s a huge source of human happiness. (This is
a good time to go back and read reason seven.)
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It does happen.
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Writers do get agents. And they do sell their screenplays. And they do get produced. It happens.
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And it’ll happen again in 2017.
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style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> Today I’d like to talk about relationships. style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> Not real life ones. You’re on your own with those. style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> I’m talking about relationships between the characters in…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> I’ve pitched original TV shows. I’ve judged TV scripts in a major screenwriting competition. And I’ve been hired to write for television. Based on these experiences, here, for what they’re worth, are three thoughts on writing for TV: style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace:…
This month I’d like to talk about fear in our screenplays. I’m not talking about the horror genre. I’m talking about the writing process itself. I’m talking about writing in a state of panic – fueled by the fear of failure. This is a phenomenon I’ve seen fairly often. It goes like this: A…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> A producer wants to develop a new project with you. It could be on spec. It could be a paid assignment. Either way, my advice remains the same. There is one thing you should never ever do. style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”>…
style=”mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;”> When I say cheating on your loved one in this blog, I’m of course referring to cheating on your screenplay’s plot. Our stories are dear to our hearts, and they depend on us, so in the New Year let’s all resolve to cheat less (in our plotting). style=”mso-layout-grid-align: none;…
style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> New writers often think the industry is biased against them. style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> style=”font-family: Cambria; margin: 0in 0in 0.0001pt;”> In some ways that’s true. Film executives are risk averse and love the comfort of banking on a scribe who already has a hit at the box office….